Category: redgiant

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Run Like Hell

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In director Stu Maschwitz's short film, a young man sets out to reconnect with his high-school crush - but things don't go as planned. Run Like Hell is inspired by the cult classic video game from Interplay.

Red Giant Retrograde

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Introducing Red Giant Retrograde - Co-produced with CrumplePop. Retrograde is the most true-to-life 16MM and 8MM film effect you will find anywhere. Real analog source material was used to create the unique film te...

Episode 101 – Interstellar Black Hole

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In this episode of Red Giant TV, VFX artist Joey Shanks walk you through his practical-based visual effects process, and shows you how he recreated the Interstellar Black Hole effect for his PBS Digital Studios series...

Red Giant TV Episode 90 – Tempo: The Bees Knees – 3D Bee Swarm w/ Slow Motion FX

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In this episode, Harry Frank will walk you through creating a swarm of bees using a combination of Cinema 4D, Trapcode Particular and Form, as well as tracking the camera motion, compositing the bees, and ramping time...

Red Giant FTX: Flarey Potter – Behind the Scenes

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Director Cameron Childs takes you behind the scenes of his film team experiment, Flarey Potter. Get the tools we used to make this video @ http://redgiant.com/ftx008 Products Used: - Trapcode Particular: htt...

Plot Device

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A young filmmaker obtains a mysterious device that unleashes the full force of cinema on his front lawn. Created using Magic Bullet Suite 11. Learn more at RedGiant.com/PlotDevice Watch the "Behind the Scenes" d...

Red Giant TV Episode 98 – Catching Fire: Procedural Fire FX with Trapcode Particular

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In this episode of Red Giant TV, Michael Park shows you how to create a procedural fire effect (an effect that is entirely software-driven, and requires no external smoke or fire images) over a logo with Trapocode Par...

01 – Getting Started with Trapcode Form: Introduction

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Make any 3D form imaginable. Words dissolve into sand, a logo catches on fire, and now 3D sequences explode into particles. Form 2 keeps the beautiful organic shapes that you love while adding amazing 3D object suppo...

Magic Bullet Suite 12

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Introducing Magic Bullet Suite 12: Color correction, finishing and film looks for filmmakers. The suite includes new versions of Magic Bullet Looks, Colorista III, Mojo, and Cosmo, plus the all-new Magic Bullet Film. ...

Red Giant TV Episode 91 – Tempo: Fresh Meat – Keying & Compositing the Cow

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In this Episode of Red Giant TV, Aharon Rabinowitz shows you how he took footage of a cow in a grassy field and composited into the laboratory scene in our short film, 'Tempo.' LINKS Primatte Keyer, Key Correct ...

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