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Red Giant TV Episode 102 – Behind the Scenes of “Old/New”

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In this episode of Red Giant TV, Seth Worley and Aharon Rabinowitz take you behind the scenes of Old/New, the latest film from Red Giant.

Red Giant TV Episode 89 – Tempo: Up in Flames – Realistic and Slow Motion Fire Effects

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In this episode of Red Giant TV, Aharon Rabinowitz walks you through the workflow used to create realistic fire for our film Tempo. He'll be using a combination of real fire footage, Trapcode Particular, and some 3rd ...

Watch Full Movie Online First Man (2018)

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Form 17

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Form 17 Some dads just can't get rid of a bomb. Description: A bomb technician faces his most hazardous situation yet: Take Your Daughter To Work Day. This film was synced in seconds with Red Giant PluralEyes 3...

Behind the Scenes of Plot Device

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In this action packed episode of Red Giant TV, we'll take you behind the scenes of our new film Plot Device. You'll hear directly from the cast and crew about filming, color correction, compositing, and visual FX, and...

03 – Getting Started with Trapcode Form: Spheres, OBJs, and Audio Reac

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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/

Red Giant | “Old/New” – Narrated by Patton Oswalt

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Old/New is the story of Drew McHugh, a man whose penchant for the new -- new devices, new fashion, new friends -- is challenged when he discovers the rustic appeal of old-fashioned things. He quickly becomes obsessed ...

Red Giant QuickTip #78: Using Trapcode Particular Z-Buffer (Integrating 3D with Particles)

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In this QuickTip, Harry Frank shows you how to use Trapcode Particular's Z-buffer to allow particles to move around 3D objects - such as those generated in AE with VideoCopilot's Element or Maxon's C4D (and other 3D a...

The Making of GO BAG: Stairwell Fight

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Director Seth Worley takes you behind the scenes of the stairwell fight in Go Bag. He'll show you practical and digital tricks he used to make it both safe and awesome.

Episode 82: Extreme Balloon Time!

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It's party time! In this episode of Red Gaint TV, Director Seth Worley shows you how to realistically fill a room with balloons in After Effects.

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