Tag: redgiant
05 – Getting Started with Trapcode Form: Particle Shading, Shadows, and Camera Settings
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
07 – Getting Started with Trapcode Form: Layer Maps
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Behind the Scenes of Super Lion
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In this video, Seth Worley (Director: Plot Device, Tempo) takes you behind the scenes of Super Lion, an animated short directed by his son, Elliot. Elliot drew the images, and then Seth Animated the images, while Ben ...
02 – Getting Started with Trapcode Form: Strings, Disperse, and Twist
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
A Quick Walkthrough of Trapcode Mir
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Learn more about Trapcode Mir at redgiantsoftware.com/products/all/trapcode-mir/
Red Giant QuickTip #78: Using Trapcode Particular Z-Buffer (Integrating 3D with Particles)
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In this QuickTip, Harry Frank shows you how to use Trapcode Particular's Z-buffer to allow particles to move around 3D objects - such as those generated in AE with VideoCopilot's Element or Maxon's C4D (and other 3D a...
03 – Getting Started with Trapcode Form: Spheres, OBJs, and Audio Reac
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Red Giant TV Episode 91 – Tempo: Fresh Meat – Keying & Compositing the Cow
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In this Episode of Red Giant TV, Aharon Rabinowitz shows you how he took footage of a cow in a grassy field and composited into the laboratory scene in our short film, 'Tempo.' LINKS Primatte Keyer, Key Correct ...
01 – Getting Started with Trapcode Form: Introduction
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Make any 3D form imaginable. Words dissolve into sand, a logo catches on fire, and now 3D sequences explode into particles. Form 2 keeps the beautiful organic shapes that you love while adding amazing 3D object suppo...
Red Giant TV Episode 89 – Tempo: Up in Flames – Realistic and Slow Motion Fire Effects
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In this episode of Red Giant TV, Aharon Rabinowitz walks you through the workflow used to create realistic fire for our film Tempo. He'll be using a combination of real fire footage, Trapcode Particular, and some 3rd ...
