Tag: redgiant
Episode 101 – Interstellar Black Hole
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In this episode of Red Giant TV, VFX artist Joey Shanks walk you through his practical-based visual effects process, and shows you how he recreated the Interstellar Black Hole effect for his PBS Digital Studios series...
01 – Getting Started with Trapcode Form: Introduction
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Make any 3D form imaginable. Words dissolve into sand, a logo catches on fire, and now 3D sequences explode into particles. Form 2 keeps the beautiful organic shapes that you love while adding amazing 3D object suppo...
06 – Getting Started with Trapcode Form: Quick Maps
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Behind the Scenes of Super Lion
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In this video, Seth Worley (Director: Plot Device, Tempo) takes you behind the scenes of Super Lion, an animated short directed by his son, Elliot. Elliot drew the images, and then Seth Animated the images, while Ben ...
04 – Getting Started with Trapcode Form: Custom Particles
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Run Like Hell
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In director Stu Maschwitz's short film, a young man sets out to reconnect with his high-school crush - but things don't go as planned. Run Like Hell is inspired by the cult classic video game from Interplay.
02 – Getting Started with Trapcode Form: Strings, Disperse, and Twist
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Red Giant TV Episode 91 – Tempo: Fresh Meat – Keying & Compositing the Cow
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In this Episode of Red Giant TV, Aharon Rabinowitz shows you how he took footage of a cow in a grassy field and composited into the laboratory scene in our short film, 'Tempo.' LINKS Primatte Keyer, Key Correct ...
03 – Getting Started with Trapcode Form: Spheres, OBJs, and Audio Reac
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Getting Started with Red Giant BulletProof
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In this tutorial, Simon Walker takes you through the process of using Red Giant BulletProof: Import, Organize, Review, Refine, and Export. You’ve got a great camera, you’ve got a great editor — how do you manage ev...
