Tag: redgiant

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05 – Getting Started with Trapcode Form: Particle Shading, Shadows, and Camera Settings

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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/

Run Like Hell

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In director Stu Maschwitz's short film, a young man sets out to reconnect with his high-school crush - but things don't go as planned. Run Like Hell is inspired by the cult classic video game from Interplay.

06 – Getting Started with Trapcode Form: Quick Maps

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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/

Behind the Scenes of Spy Vs. Guy

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In this Episode of Red Giant TV, Director Seth Worley and Executive Producer Aharon Rabinowitz take you behind the scenes of the latest Red Giant Film - Spy Vs Guy.

07 – Getting Started with Trapcode Form: Layer Maps

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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/

Episode 101 – Interstellar Black Hole

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In this episode of Red Giant TV, VFX artist Joey Shanks walk you through his practical-based visual effects process, and shows you how he recreated the Interstellar Black Hole effect for his PBS Digital Studios series...

A Quick Walkthrough of Trapcode Mir

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Learn more about Trapcode Mir at redgiantsoftware.com/products/all/trapcode-mir/

Magic Bullet Suite 12

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Introducing Magic Bullet Suite 12: Color correction, finishing and film looks for filmmakers. The suite includes new versions of Magic Bullet Looks, Colorista III, Mojo, and Cosmo, plus the all-new Magic Bullet Film. ...

Red Giant TV Episode #95: Behind the Scenes of Spy vs Guy

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In this Episode of Red Giant TV, Director Seth Worley and Executive Producer Aharon Rabinowitz take you behind the scenes of the latest Red Giant Film - Spy Vs Guy. Spy vs Guy was made with the help of Red Giant Bu...

Red Giant TV Episode 91 – Tempo: Fresh Meat – Keying & Compositing the Cow

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In this Episode of Red Giant TV, Aharon Rabinowitz shows you how he took footage of a cow in a grassy field and composited into the laboratory scene in our short film, 'Tempo.' LINKS Primatte Keyer, Key Correct ...

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