Category: redgiant
Red Giant QuickTip #78: Using Trapcode Particular Z-Buffer (Integrating 3D with Particles)
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In this QuickTip, Harry Frank shows you how to use Trapcode Particular's Z-buffer to allow particles to move around 3D objects - such as those generated in AE with VideoCopilot's Element or Maxon's C4D (and other 3D a...
03 – Getting Started with Trapcode Form: Spheres, OBJs, and Audio Reac
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
Red Giant TV Episode 89 – Tempo: Up in Flames – Realistic and Slow Motion Fire Effects
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In this episode of Red Giant TV, Aharon Rabinowitz walks you through the workflow used to create realistic fire for our film Tempo. He'll be using a combination of real fire footage, Trapcode Particular, and some 3rd ...
01 – Getting Started with Trapcode Form: Introduction
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Make any 3D form imaginable. Words dissolve into sand, a logo catches on fire, and now 3D sequences explode into particles. Form 2 keeps the beautiful organic shapes that you love while adding amazing 3D object suppo...
Spy vs Guy
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A retired Russian spy hunts down dangerous technology after it falls into unsuspecting hands. Go behind the scenes of Spy Vs Guy at: redgiant.com/videos/redgianttv/item/371/ Spy vs Guy was made with the help of ...
Getting Started with Universe Chromatic Aberration
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Join Red Giant Universe for FREE and get over 40 free transitions and effects: redgiant.com/Universe
Red Giant TV Episode #95: Behind the Scenes of Spy vs Guy
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In this Episode of Red Giant TV, Director Seth Worley and Executive Producer Aharon Rabinowitz take you behind the scenes of the latest Red Giant Film - Spy Vs Guy. Spy vs Guy was made with the help of Red Giant Bu...
Getting Started with CrumplePop ShrinkRay
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Join Red Giant Universe for FREE and get over 40 free transitions and effects: redgiant.com/Universe
Getting Started with Red Giant BulletProof
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In this tutorial, Simon Walker takes you through the process of using Red Giant BulletProof: Import, Organize, Review, Refine, and Export. You’ve got a great camera, you’ve got a great editor — how do you manage ev...
