Monthly Archives: July 2013
CRAZY ENOUGH – Title Sequence
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For school (VFS), we had to make a Title Sequence and I decided to make the movie of my life (so far we just have the title sequence :P) and its everything in boxes and circles... It took me a lot of work... there is ...
PROHUD™ – Professional FCPX Plugins and Effects – Pixel Film Studios
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PROHUD™ - Professional FINAL CUT PRO X Plugins and Effects from Pixel Film Studios store.pixelfilmstudios.com/plugin/prohud-plugin PROHUD™ PROFESSIONAL HEADS-UP DISPLAY ELEMENTS The two things that the fut...
Red Giant TV Episode 91 – Tempo: Fresh Meat – Keying & Compositing the Cow
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In this Episode of Red Giant TV, Aharon Rabinowitz shows you how he took footage of a cow in a grassy field and composited into the laboratory scene in our short film, 'Tempo.' LINKS Primatte Keyer, Key Correct ...
Red Giant QuickTip #78: Using Trapcode Particular Z-Buffer (Integrating 3D with Particles)
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In this QuickTip, Harry Frank shows you how to use Trapcode Particular's Z-buffer to allow particles to move around 3D objects - such as those generated in AE with VideoCopilot's Element or Maxon's C4D (and other 3D a...
03 – Getting Started with Trapcode Form: Spheres, OBJs, and Audio Reac
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Learn more about Trapcode Form at: redgiant.com/products/all/trapcode-form/
01 – Getting Started with Trapcode Form: Introduction
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Make any 3D form imaginable. Words dissolve into sand, a logo catches on fire, and now 3D sequences explode into particles. Form 2 keeps the beautiful organic shapes that you love while adding amazing 3D object suppo...
05. Getting Started with Trapcode Particular 2 – Particle Types
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Learn more about Trapcode Particular at: redgiantsoftware.com/products/all/trapcode-particular/
Spy vs Guy
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A retired Russian spy hunts down dangerous technology after it falls into unsuspecting hands. Go behind the scenes of Spy Vs Guy at: redgiant.com/videos/redgianttv/item/371/ Spy vs Guy was made with the help of ...
Red Giant TV Episode 89 – Tempo: Up in Flames – Realistic and Slow Motion Fire Effects
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In this episode of Red Giant TV, Aharon Rabinowitz walks you through the workflow used to create realistic fire for our film Tempo. He'll be using a combination of real fire footage, Trapcode Particular, and some 3rd ...
New Tutorial: Sub Surface Skin
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In this exciting new tutorial we’ll create the look of sub-surface illumination inspired by the film Iron Man 3. After building some procedural noise maps we’ll add some vein textures to create more realistic depth. M...
