Monthly Archives: July 2013
Red Giant TV Episode #95: Behind the Scenes of Spy vs Guy
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In this Episode of Red Giant TV, Director Seth Worley and Executive Producer Aharon Rabinowitz take you behind the scenes of the latest Red Giant Film - Spy Vs Guy. Spy vs Guy was made with the help of Red Giant Bu...
Red Giant Retrograde
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Introducing Red Giant Retrograde - Co-produced with CrumplePop. Retrograde is the most true-to-life 16MM and 8MM film effect you will find anywhere. Real analog source material was used to create the unique film te...
Red Giant QuickTip #78: Using Trapcode Particular Z-Buffer (Integrating 3D with Particles)
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In this QuickTip, Harry Frank shows you how to use Trapcode Particular's Z-buffer to allow particles to move around 3D objects - such as those generated in AE with VideoCopilot's Element or Maxon's C4D (and other 3D a...
Red Giant QuickTip #67: Realistic Dust Hits
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In this tutorial, John Einselen shows you how to create realistic dust hits with Trapcode Particular. He also covers some very advanced compositing techniques for 3D animators working with Particular.
Red Giant QuickTip #60: Old VHS Look
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In this QuickTip, Seth Worley shows you how to give your footage an old VCR/VHS look in Adobe After Effects.
PROVEGA VOLUME 2 – PROFESSIONAL LENS FLARE PLUGIN FOR FCPX – PIXEL FILM STUDIOS
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PROFESSIONAL LENS FLARE PLUGIN FOR FCPX store.pixelfilmstudios.com/plugin/plugin-provega-2 Create realistic, epic lens flares in Final Cut Pro X with PROVEGA™ Volume 2 from Pixel Film Studios™. With our new and ...
PROSLICE™ – FCPX Plugins and Effects – Pixel Film Studios
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PROSLICE™ - Final Cut Pro X Plugins and Effects - Pixel Film Studios Whether you are editing a telephone conversation or reinventing the intro to the Brady Bunch, PROSLICE™ by Pixel Film Studios™ has the split scre...
PROHUE – PROFESSIONAL COLOR CONTROLS FOR FCPX – PIXEL FILM STUDIOS
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PROHUE - PROFESSIONAL COLOR CONTROLS FOR FINAL CUT PRO X - PIXEL FILM STUDIOS store.pixelfilmstudios.com/plugin/prohue-plugin Take total control over the color in your film like never before in Final Cut Pro X w...
