Monthly Archives: July 2013

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CRAZY ENOUGH – Title Sequence

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For school (VFS), we had to make a Title Sequence and I decided to make the movie of my life (so far we just have the title sequence :P) and its everything in boxes and circles... It took me a lot of work... there is ...

Good Books – Metamorphosis

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It is not very often that we have the opportunity to create a graphic equivalent of a drug fueled rant bringing all of our collective skills to bear. And it is almost unfathomable that we could actually do something l...

PROVEGA VOLUME 2 – PROFESSIONAL LENS FLARE PLUGIN FOR FCPX – PIXEL FILM STUDIOS

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PROFESSIONAL LENS FLARE PLUGIN FOR FCPX store.pixelfilmstudios.com/plugin/plugin-provega-2 Create realistic, epic lens flares in Final Cut Pro X with PROVEGA™ Volume 2 from Pixel Film Studios™. With our new and ...

Megalomania

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Megalomania perceives the city in total construction. The built environment is explored as a labyrinth of architecture that is either unfinished, incomplete or broken. Megalomania is a response to the state of infrast...

New Tutorial: Sub Surface Skin

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In this exciting new tutorial we’ll create the look of sub-surface illumination inspired by the film Iron Man 3. After building some procedural noise maps we’ll add some vein textures to create more realistic depth. M...

Red Giant Retrograde

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Introducing Red Giant Retrograde - Co-produced with CrumplePop. Retrograde is the most true-to-life 16MM and 8MM film effect you will find anywhere. Real analog source material was used to create the unique film te...

Red Giant QuickTip #78: Using Trapcode Particular Z-Buffer (Integrating 3D with Particles)

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In this QuickTip, Harry Frank shows you how to use Trapcode Particular's Z-buffer to allow particles to move around 3D objects - such as those generated in AE with VideoCopilot's Element or Maxon's C4D (and other 3D a...

XEffects 3D Style Transitions for FCPX Final Cut Pro

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XEffects 3D Transitions are 26 effects for Final Cut Pro X all built in 3D space with camera moves, variable focal lengths, shallow depth of field, lighting and reflections. Gorgeous glossy transitions all animatin...

Red Giant TV Episode 89 – Tempo: Up in Flames – Realistic and Slow Motion Fire Effects

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In this episode of Red Giant TV, Aharon Rabinowitz walks you through the workflow used to create realistic fire for our film Tempo. He'll be using a combination of real fire footage, Trapcode Particular, and some 3rd ...

Tempo – Visual Effects Breakdowns

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Here's a breakdown of the visual effects seen in our short film, Tempo. You can see the film at http://reservoirfx.com/2013/07/02/tempo/

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