Category: redgiant
Behind the Scenes of Spy Vs. Guy
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In this Episode of Red Giant TV, Director Seth Worley and Executive Producer Aharon Rabinowitz take you behind the scenes of the latest Red Giant Film - Spy Vs Guy.
The Making of Form 17
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In this episode of Red Giant TV, director Seth Worley takes you behind the scenes of our new film, 'Form 17.'
Episode 101 – Interstellar Black Hole
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In this episode of Red Giant TV, VFX artist Joey Shanks walk you through his practical-based visual effects process, and shows you how he recreated the Interstellar Black Hole effect for his PBS Digital Studios series...
Red Giant QuickTip #60: Old VHS Look
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In this QuickTip, Seth Worley shows you how to give your footage an old VCR/VHS look in Adobe After Effects.
Tempo – Visual Effects Breakdowns
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Here's a breakdown of the visual effects seen in our short film, Tempo. You can see the film at http://reservoirfx.com/2013/07/02/tempo/
Episode 82: Extreme Balloon Time!
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It's party time! In this episode of Red Gaint TV, Director Seth Worley shows you how to realistically fill a room with balloons in After Effects.
Red Giant TV Episode 107: Create a Waving Flag
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In this episode of Red Giant TV, Harry Frank shows you how to create a waving flag with Trapcode Mir. Download a FREE TRIAL of Trapcode Mir: http://www.redgiant.com/products/trap... Project Files: http://www.red...
Episode 84: Trapcode Mir – Amplitude Mapping
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In this episode of Red Giant TV, Aharon Rabinowitz shows you how to take Trapcode Mir in a whole new direction using Amplitude Layers. You'll learn to create looping animation, cityscapes, audio-triggered displacement...
Tempo
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In this new Red Giant short film, from the creators of Plot Device, a scientist must prevent a new, powerful technology from falling into the wrong hands. Learn more about filmmaking and visual effects at redgiant....
Red Giant TV Episode 90 – Tempo: The Bees Knees – 3D Bee Swarm w/ Slow Motion FX
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In this episode, Harry Frank will walk you through creating a swarm of bees using a combination of Cinema 4D, Trapcode Particular and Form, as well as tracking the camera motion, compositing the bees, and ramping time...
